Here is the development of my collagraph plate as well as the first print. This plate was used to make five prints over three days. I will share more in a few days!
The drawing, done on the floor with a carpenter's pencil. I ran out of table space. |
The drawing edited with a black Sharpie. |
The 24"x 32" PETG collagraph plate developed over the drawing, using Speedball screen filler, carborundum (a.k.a. silicon carbide), and Golden Micaceous Iron Oxide acrylic paint. |
Inking up the collagraph with rather stiff Akua ink. Inking and wiping took 40 minutes! |
The wiped plate, ready to print a proof onto Revere Silk paper. |
The counterproof printed onto newsprint. This is used under the clear monotype plates as a guide for the ink placement. |
A detail of the registration set up showing the stops. The registration is for painting and rolling up the plates, not for running through the press |
The first run from the smooth plate using warm colors; it was run through an etching press. This is a monotype at this point. |
The same print with added cool colors during a second run through the press. |
Detail of the monotype so far. |
The collagraph plate inked a la poupee'. This will be printed over the monotype and serve as a "key" image. Printing this plate over the monotype turns this piece into a monoprint since this part of the image is repeatable. |
The finished print- combining two monoprints and one collagraph. |
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